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This edition of 9 etchings stem from my interest in primary source information and forms. Breaking things down to basic elements and reinterpreting these mathematical propositions as drypoint etchings caused some unexpected visual results.
#1
#2
#3
#4
Nauset, summer 2011, watercolor & ink on paper.
Incoming Tide, 4 pm, 8-26-11, pencil & charcoal on paper.
I was working on this sketch at the end of Barley Neck Road, a location I am familiar with and very fond of.